THE BUGONES / MALI Velasquez – Sinclair Live Concert
James Marinacio
Living near Harvard Square in Cambridge, Massachusetts has some drawbacks, but it also has some benefits. Disadvantages include high rent, expensive groceries, and interacting with snobbish Harvard “intellectuals.” One of the perks is staying just a short walk away from the Sinclair Hotel. The Sinclair is a small 525 person venue in the heart of Harvard Square and my personal favorite venue. I arrived at Sinclair on Thursday night around 7:30 to check out a team from Nashville called past. Granted, I got there too early, and I was probably one of only a dozen people there. However, when opener Mali Velasquez took the stage, the crowd packed to a respectable and non-embarrassing level.
Mali Velasquez is an American indie folk musician originally from Texas, but recently settled in Nashville, Tennessee. She took the stage with just an acoustic guitar and opened with the song “Bobby.” “Bobby” was first released as a single and then on her debut album, i am green This is probably my favorite song of hers. Mari’s performance throughout the show is extremely vulnerable and raw. She has nothing to hide except her guitar and microphone.
Mali’s lack of band members is exacerbated by an empty microphone to his right and an empty drum kit behind him. Despite being alone on stage, it soon became apparent that Mari wasn’t going to let this hinder her ability to realize her songs to their full potential. Mali’s songwriting reminds me a lot of Pinegrove and Alex G, while her lyrics also have a familiar southern downbeat. Mali’s streamlined lineup got off to an incredible start to the night.
when past As soon as they took the stage, they were warmly cheered by the crowd. past Mainly composed of Joshua Lee Turner and Alison Young. The show began with Turner and Young performing Connie Converse’s a cappella song “The Clover Saloon.” This song expresses a heartfelt tribute to pastA deep-seated admiration for classical folk and country. The moment also provided an ideal showcase for Turner and Young to showcase their exceptional vocal prowess.
Musical talent and dedication were on full display throughout past‘ put. This strap is very tight. Turner is a world-class guitarist, and he’ll quickly remind you of that as he unleashes his concise yet captivating guitar solos. Turner’s ability to climb up and down the neck of a guitar with precision is bound to intrigue you. Alison Young’s vocal control is outstanding. Her style is very clean, like that of a classical jazz singer. Young allows herself to feel the songs she is performing, and this passion and sincerity allows the audience to connect with her and the orchestra.
After about six duets, Young and Turner welcomed drummer Jacob Grissom and bassist Thad Kopec. Additional band members joined Turner and Young mid-song, which was a hit with the audience. The bass and drums greatly increased the energy in the room. past They are dedicated to what they do, and it’s not just how they bring in a bass guitar and some drums. Turner and Young engage the audience by providing context for the songs to be played next. This creates an intimate atmosphere that fosters a deep connection between audience and orchestra.
In terms of style, past There are definitely influences from jazz, classical folk and rock. Their sound is incredibly nostalgic at times. One of my personal favorite songs of the night was “When I’m With You (Every Christmas Day)”. Young’s soulful and elegant vocals are a perfect accompaniment to Turner’s warm, twangy Fender telecaster. Other highlights included “How Do You Waste a Day?” where the band seemed to really let loose and have some fun. comprehensive, past Put on a great show. If you like folk music or even indie rock, I highly recommend checking out past‘Discography.
Number of views: 328
