DOGS IN THE PACK/THE FAR OUT – LIVE @ THE SINCLAIR
James Marinacio
dogs in a pile and The Far Out performing Sinclair in Cambridge.
Given their preference for improvised music, many viewers may not choose to watch opener “The Far Out” alone. However, the audience at the Sinclair Theater on Friday quickly became interested in “Far and Away.” The six-man opening on the North Shore was definitely shot out of a cannon. They showed a rare energy during their opening act. Their infectious rhythms and energetic stage presence quickly won over the crowd and set the perfect tone for the evening.
Each member had their own unique talent, and if I remember correctly, the 5/6 band members played a variety of instruments throughout the show. Vocal responsibilities were carried by four different orchestra members. The musicians’ versatility makes for an engaging experience. “Far Out” is undoubtedly influenced by the funk and rock of the late 1960s and early 1970s. I would describe their style as “Lake Street Dive”. My personal favorite song they performed was their latest single “Packed to Go.” The orchestra did a great job of building the energy in the room and getting everyone excited for the main event: dogs in a pile.
Sinclair’s crowd is on the younger side, which makes sense given the circumstances here dogs in a pile All in their careers. Although established, dogs in a pile There’s definitely something on the rise in the jam band community. That’s not to say they weren’t proven jam-band enthusiasts in the crowd. There are countless ponytails, and few even look like Jerry Garcia.
dogs in a pile Opening with a melodic song, followed by DIAPThe Jimmy Lowe. They allowed plenty of time for the crowd to get aboard and enjoy the ride. Jimmy Law’s “Guitar Face” seemed surprised, horrified and fascinated by the sounds his guitar made.
It seems to me that many bands that consider themselves “jam bands” are facing a bit of an identity crisis. There is no doubt that these bands are trying to create a Grateful Dead-like improvisational environment while creating their own sound. Likewise, loyal fans of these bands face the same problem. When you identify yourself as a fan of a jam band, there’s a sense of community that develops.
This is especially true when you identify as a fan of a particular band. It goes without saying that these fans are trying to become the next “Dead Head” or simply recreate what they experienced during the Dead’s glory days. Is trying to recreate jam-like Death an honorable pursuit, or is it creatively limiting? I think it’s the latter.
That being said, I believe DIAP Really made some very solid attempts to move away from the classic Grateful Dead sound. Sometimes they have a very bluesy sound. Jimmy Law has some great solos. He allowed the guitar to breathe and the song to develop. Sometimes I can actually hear the jazz influence on the orchestra. They remind me of Santana in that way.
Bassist Sam Lucid’s playing is full of energy and you can tell he’s really enjoying the music. Jeremy Kaplan’s keys are designed for some dramatic bridges and relaxed keyboard solos. This show is a lot of fun and I’d say the entire audience will agree. The crowd kept moving and swaying to the music. if you have a chance to see dogs in a pileI highly recommend it. You may leave the show as a member of “The Doghouse.”
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